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In truth, there's always been a segment of society - call it "late teens, early college guys" - who've been coasting right alongside of National Lampoon in whatever idiotically stupid venture they're trying to churn out. NL is the high school/college equivalent of Troma's gory pseudo-porn movies, as deep as an inch of rainwater on a hot summer day and as long-lasting. The formula, firmly established in the late 1970's, remains largely unchanged today: take a group of misfits, pit them against snobby superiors, and add boobs. Lots and lots of boobs. Another $1.2 million earned in direct-to-DVD profit, on to the next show! I think it absolutely stunned National Lampoon to find themselves with a genuine hit in Van Wilder, almost 13 years after what I'd consider their last noticeable success (Christmas Vacation). While still holding steadfast to the NL formula, Van Wilder nevertheless acquitted itself with a superb leading man (Ryan Reynolds) and hilarious lines — of course, National Lampoon's love of All Things Gross still plopped here and there like an unwelcome visitor on our living room couches. So! A good hit! What to do? Well, a direct sequel was out, with Reynolds moving on to new pastures… or was it? Quick, to the Emergency Sequel Playbook! Hm… page 125: "In the event that a leading star from your movie refuses to return for the sequel, work your way down the casting ladder until you find a willing sap who will hack out a new movie for the promise of a starring role and more money." Hello Kal Penn (Taj), fresh off Harold and Kumar Go To White Castle and hungry for more sweet burgers. And if we're taking one page from the Emergency Sequel Playbook, why not a few more? Page 14: "New settings work wonders, as long as they share a similarity to the old setting. Different, but similar. If you're at a California college in the first movie, place the setting for the sequel at a university in England. For example." Page 49: "Rush through casting a motley crew of memorable stereotypes to help your audience forget the much better and more thought out characters in the original movie. An ethnicity can be played for much laughs, as can one's sexual preference, nerdiness, hobbies or looks." Page 126: "Even if you have to replace 100% of the cast and crew from the original, capitalize off the first by making every effort to connect the films through a cleverly planned series of name-dropping. 'Oh, hey, you just got mail from so-and-so, the actor in the first movie who can't be bothered to show up to this one. Choke on your lack of integrity, dingbat.'" Page 289: "Remember, it's a sequel, so don't let anything like 'good taste' hold you back. Pull out every cliché - from the slow clap, to the predictable romance between uneven social classes, to parents bursting in on their kids in the middle of coitus, to 'Holy crap, I just drank WHAT?', to an unnecessary dance party, to a montage that features a single from the soundtrack album set against the backdrop of whatever famous landmarks you can scrounge up." Page 301: "No respectable folks will actually see this, so pander to the lesser masses by showcasing the most untitillating nudity ever featured. Stop the camera when naked bosoms are shown, and feel free to add in sparkles, Looney Tunes sound effects, and bright red arrows to guide the eye." Page 1: "No rules. Just right." As predictable and extraordinarily tired as Van Wilder 2: The Rise of Taj is - particularly compared to its ancestor - Kal Penn gets in a few moments of fun as a leading man who isn't necessarily a whipping post for the snobs until the last scene. Otherwise, I can't actually believe this got a theatrical release. Back to the pound with you, National Lampoon!
Is It Worth Staying Through End Credits?
Groovy Quotes
Preppy: [grabs a sword] Let's settle this the way our ancestors did.
Taj: A surprise in the woods? Well, can you give me a second? Let me go repack my wallet real quick. If you liked this movie, try these:
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