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I scheduled a Monday to be the day I'd sit down and watch it. In broad daylight, of course. So when Monday morning rolled around, I settled myself down by the computer, took DVD in hand and said bravely to myself, "Golly, the drain in the kitchen sink sure is running slow!" Many hours, two trips to the hardware store and one frantic phone call later, I was the proud owner of a drain snake, a pipe wrench and a bottle of Liquid Drano. The movie remained unwatched for the day, but that drain now runs fast and free like wild horses on the Mongolian steppes. Tuesday didn't work out either. But Wednesday, I couldn't put it off any longer. So I watched it, with one hand on the pause button, and the other feverishly stuffing comfort food (vis a vis: "popcorn") into my face as a cheap and tasty sedative. In retrospect, Poltergeist wasn't that bad, but it still freaked the living be-whatsis out of me. I have to face facts. This just isn't my genre. In a nutshell: a nice but slightly dysfunctional family of five lives in nice cookie-cutter home in nice cookie cutter subdivision. Because they don't know enough to turn the television off at night, the five-year-old daughter starts a friendly relationship with the voices in the post-programming static. (Yes, there was such a thing back in the olden times.) Soon the family dog jumps on board too, but no one else is particularly amused - particularly the son who is not only afraid of his demonic clown doll and thunderstorms, but also suffers from an extreme form of middle-child syndrome - wherein if, say, a possessed tree decides to tear him out of the house and chew on his torso, his parents will flip out and frantically search for his sister, leaving him a virtual limp rag of sap, blood, terror and despair without so much as a kleenex to blow his nose into. Not to mention the fact that the evil tree was apparently a smokescreen because the flippin' ghosts (like his flippin' parents) were more interested in his flippin' kid sister anyway! It's rough to be the middle child. But I'm getting a little ahead of myself. Yes, the house is haunted - apparently by a virtual stadium load of disenfranchised furniture moving souls; along with "the beast", one major mother of paranormal 'tude. It isn't long before little Carol Anne (our five year old static fanatic) gets sucked into the spirit dimension via her bedroom closet and only then (because they are very slow learners - which is a very good argument against smoking weed) do the parents actually seek outside help. The 'help', three academics with cameras and sound recorders are just a bit overwhelmed what with objects flying here and there and more spectral galloping around than Rincewind in the Dungeon Dimensions. After a night of weirdness not seen since a very blitzed Dumbo experienced pink elephants on parade, they themselves go for 'help', and come back with a midget lady with the voice of a toddler and the gonads of a bull moose. She’s kind of like Yoda in oversized glasses really. Then things really get weird. Trust me. The strength of Poltergeist, the special effects of which have long since gone past the state-of-the-art expiration date, isn't so much the story or the acting, or even the fluffy family dog. The strength is in the way it hooks into and feeds off of so many standard childhood terrors. It's a virtual potpourri of bed-wetting trigger points. This isn't guys in hockey masks, or blood spurting zombie mayhem. This is about the scary things from your childhood imagination - made real and multiplied by a gazillion. It's that stupid doll that stares at you until you have to throw something over it to break the impasse. It's that old tree that looms eerily outside your bedroom window. This is about thunderstorms and dogs that bark at nothing. [Incidentally, my greyhound occasionally does the hair standing on end, snarling and barking at invisible entities thing. This doesn't bother me as much as it should, because while he won't hit high alert over absolute strangers, he does go ballistic whenever I walk him past a concrete raccoon in the neighbor's front yard. I can only assume that my house is being haunted by a spectral plastic flamingo, or possibly a rogue phantom garden gnome. Just thought I’d mention.] In any case, Poltergeist sort of loses its punch is when the "beast" actually appears. Bigger frights come from suspense and things unseen - at least as far as I'm concerned. However, the rest of the spookiness and the ending make up for that in spades. But easily, (though unintentionally) the creepiest thing about watching this movie now is knowing that two of the three family children died untimely deaths in real life. Brrrr. That's just weird.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
During the scene where Robbie is being strangled, the clown's arms became extremely tight and actor Oliver Robbins started to choke. When he screamed out, "I can't breathe!" Steven Spielberg and Director Tobe Hooper thought that he was ad-libbing and just instructed him to look at the camera. When Spielberg saw Robbins's face turning purple, he ran over and removed the clown's arms from Robbins's neck. The sound effect for the beast that attacks the house at the end of the movie is the source for the current MGM lion roar. Groovy Quotes
Carole Anne: You’re a doggie bag!
Mom: TV people?
Diane: Now reach back into our past when you used to have an open mind. Do you remember that?
Robbie: She's stoned.
Dr. Lesh: Well, I'm off. Now these tapes, I am going to have to present them you know.
Diane: Carol Anne - listen to me. Do NOT go into the light. Stop where you are. Turn away from it. Don't even look at it!
Diane: We were wondering if you had experienced any... disturbances?
Steve: Tomorrow I'm going to call someone.
Robbie: I got beat up once by three kids. They took my lunch money. Maybe they got hit by a truck, and they're upstairs right now! Tangina: Would ya’ll mind hangin’ back? You’re jammin’ my frequencies. Steve: So. What side of the rainbow are we working tonight, Dr. Lesh? Tangina: There is no death. It is only a transition to a different sphere of consciousness. Tangina: It lies to her. It tells her things only a child can understand. It's been using her to restrain the others. To her, it simply is another child. To us, it is The Beast. If you liked this movie, try these:
This review page was last updated on 10.31.05 MRFH Home . Reviews . Findaflik . Features! . MRFH Forum © 2005 Mutant Reviewers From Hell (Original Content). All Rights Reserved. |