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When I first saw this film, I had little heads-up to how good it was going to be, and I dragged a couple friends who knew nothing about it. By the time it was over, my friend's girlfriend was literally shaking from the adrenaline rush, and we couldn't shut up about how awesome it was. You don't get many movie experiences like that. Plot aside, The Matrix shines when it comes to fighting and special effects. I know, you've probably heard about the "dodging bullets" scene and the way-cool intro fight (where Trinity, among other acts, jumps up to perform a kick, the camera freezes, rotates around the room, and then real time snaps back in). I am such a sucker for good special effects, and I was not disappointed. They keep the film alive and fresh; for instance, during the whole movie the characters leave the matrix via telephones. But the filmmakers never showed how this was accomplished until the end, as a nice little FX treat to the patient among us. It was extremely pleasant to see the filmmakers with a seemingly endless bag of tricks, not being content to just use a couple over and over again, but wanting to surprise up all the way through. The atmosphere is rich and literally sucks us in to this brave new world. I love the green tones used in the opening scenes; the grimy sewer system of the future; even the polished corporate offices. It's all so stylin'. Despite my praise for this film, there are some quirky stupid notes that I kept noticing. The Kung Fu fighting styles of Neo and Morpheus (Laurence Fishburne, doing a much better job than Event Horizon) just seem out of place. My friend Lance and I laugh every time we see Neo pulling the "weight lifter arm flex" move. And what's with that newspaper flying across the subway prior to the fight? Was there a small tornado that just blew up? Also, I know that sunglasses in films (see Men in Black, et all) look trés cool, but I'm almost getting sick of their extreme use. It's a movie cliche that no one's dared to call filmmakers on yet. In this film, you get thinking that the characters can't actually see worth crap unless they have their shades on, even if it's in the middle of the night. Once they don their shades, they become Mr. or Mrs. Badass. In these sorts of films, if you don't wear sunglasses, you might have much improved vision, but you'll be labelled a wimp by both the good and bad guys. We're going to start an epidemic of people wearing sunglasses everywhere, and that spells "walking off ledges" to me. Finally, the end (this is not a spoiler, really) where Neo flies up toward the camera like Superman really felt cheesy. But stupid points like these are easily forgiven in such a great film. Acting: good, some roles are terrific (Agent Smith, Morpheus, Trinity), some less than par or undeveloped (Neo). It's not the most intellectual or heart-rending film you'll ever see, but it's sophisticated enough to give anyone pause. And then pull us back in for another viewing.
Plot aside, this movie has two other immediate traits that make me love it. First, the casting is exquisite. Lawrence Fishburne is great. He's got a wonderful, smooth, deep voice, that really lends a lot of credibility to his character's traits. I love Carrie-Anne Moss in this movie (yay for a great Vancouver actress!) as the distantly sexy Trinity. All the characters are played to a T, including the dark-spirited Agent Smith. And yes, folks, even Keanu does a really good job. Okay, we chuckled in unison at his "Whoa" for the roof jumping scene, but for the most part, he looks good in the role. The other thing I really got into was the inclusion of martial arts training for The Matrix. The kickboxer in me was squealing in delight, watching the furious fist and foot battles between the humans and the Agents, and the whole thing was very presentably done. I really want to stress as a still pretty amateur martial artist that some of the moves in this film are VERY difficult, but they're done with style and confidence; very impressive. (But you're right, Justin, it gets a little funny watching the pre-fight "I'm gonna git you sucka" Karate Kid-style Kung Fu stretches... quite amusing.) Oh, I'd be remiss not to state the obvious: the visuals in this movie are astounding. The shots of the future, the fight scenes, the bullet dodges... they're all really well done, and appropriately so. Plenty of eye candy in this movie, but strangely enough, I mentioned it last... I have to admit, the visuals in the trailers are what got me out to the movie, but the advanced story is what brought me back. When I put this into my Pick of the Week, it was the day after I'd seen it for the second time in the theaters. The second viewing is key to truly wrapping your head around this storyline. There are so many parts you miss the first time around, no matter how smart you are. (Did anyone pay any attention the first time they heard Switch refer to Neo as "Coppertop"? I thought not. I started laughing the second time I heard it, cause it's so wonderfully well used, and carefully hidden.) The Matrix just moved up into my Top Movies list, for sure. I'd actually put it in the same company as Star Wars without flinching. If you read this while it's still in theaters, treat yourself and catch it. If you're too late, well, hey, rent the video and head home where the popcorn's cheap.
The Matrix, that film that was such a breath of fresh air and refreshing change of pace in the sci-fi genre, is a big dirty rip-off! I hereby renounce all the good things I once said about it! Attica! Attica! No peace in our time! KILL ALL THAT LIVES!!! Whew! I feel better for getting that off my chest. Maybe I should explain myself. I’ll be brief: the first time I saw The Matrix, I thought it was great. But that Kyle wasn’t a Grant Morrison fan. By the time The Matrix was available for rent I had become a big Morrison fan and owned most of the comic books he has written in his career, including all three volumes of his cult series The Invisibles. So what, you may ask? Well, The Invisibles has so many similarities to The Matrix it isn’t funny. Both revolve around a cell of ultra-violent freedom fighters that crusade against an enemy that is pulling the wool over peoples’ eyes and keeps humans in containers. Both deal with a race between the good guys and the enemy to see who will first get their hands on a young man who has the potential to be the most powerful individual in their battle for human freedom. Both feature a training session for the young recruit where he learns to fight, learns not to trust reality around him as it seems because looks can be deceiving, and eventually jumps off a building as part of his training. Both feature bad guys who always wear sunglasses and a main veteran good guy leader with superior fighting skills and a bald head. And all these similarities are just the tip of the iceberg. Basically I just wanted it known that there is a touch of shenanigan in all the parallels between The Invisibles and The Matrix. Some people think it’s just coincidence, others admit The Matrix might have ripped off quite a bit but that it doesn’t matter, all stories rip off their predecessors a little bit. Personally I’m more loyal to Morrison than the Wachowski brothers, because Morrison writes brilliant stories that fill up my top right bookshelf whereas the Wachowski brothers haven’t done anything for me lately. I can condone a little borrowing but The Matrix for all its glamour and effects seems to have crossed the line a bit. But I don’t go overboard condemning them or anything, in fact this is the most I’ve ever said on the subject and I’m looking forward to seeing how the Matrix sequels turn out. But out of allegiance to one of my favorite authors I wanted to bring it up, and let you know a bit more about The Matrix than you probably cared to know! By the way, don’t argue that maybe the script for The Matrix was ripped off by Grant Morrison because the first issue of The Invisibles was published way back in September 1994, when Keanu Reeves was only that “whoa, dude!” dude from “that movie with the Napoleon dude” and “the matrix” was the big Gallifreyan computer the Doctor got lost in during an old episode of Doctor Who. Thanks for reading, and please direct all hate mail to Justin and Poolman!
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
According to some crew members, Keanu Reeves was really vomiting as shown in the film when his character Neo leaves The Matrix for the first time. It was because of a chicken pot pie he ate, apparently. Carrie-Anne Moss (Trinity) played Liz Teel in the TV series "Matrix". It's my understanding that for the "shootout in the lobby scene", Carrie Anne Moss had only one attempt to do her inverted run and jump off the wall, and it was the only take of the day. There are NO special effects in that shot. The little pieces flying off the wall, Trinity flipping all over the place sideways... it's all very real. I wouldn't have believed it if not for having seen it at a second degree black belt test a few weeks ago. Very cool. Just M writes in: The martial arts director was Yuen Wo Ping from Hong Kong, who also directed the actions in "Crouching tiger hidden dragon". His team of Chinese martial artists train all his actors/actresses for several months, six to eight hours a day, before the shoot so they look believable on screen and can actually handle the action sequences. I've read from some news site that Keanu has since the film, claims that he "knows" martial arts and actually challenged someone. By the middle of 2002, the famous "Bullet Time" sequence had been spoofed in over 20 different movies. Groovy Quotes
Morpheus: The Matrix is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see? Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy. You have to understand, most of these people are not ready to be unplugged. And many of them are so inert, so hopelessly dependent on the system, that they will fight to protect it.
Spoon boy: Do not try and bend the spoon. That's impossible. Instead... only try to realize the truth.
Agent Smith: Human beings are a disease, a cancer of this planet, you are a plague, and we are the cure. Morpheus: What you know you can't explain, but you feel it. You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad. Morpheus: You have the look of a man who accepts what he sees because he is expecting to wake up. Ironically, that's not far from the truth. Morpheus: Have you ever had a dream, Neo, that you were so sure was real? What if you were unable to wake from that dream? How would you know the difference between the dream world and the real world? Oracle: Ohh, what's really going to bake your noodle later on is, would you still have broken it if I hadn't said anything?
Oracle: You're cuter than I thought. I can see why she likes you.
Neo: What are you trying to tell me? That I can dodge bullets?
Neo: I just thought... you were a guy.
Morpheus: The Matrix is the world that has been pulled over your eyes to blind you from the truth.
Tank: So what do you need? Besides a miracle.
Trinity: Neo... nobody has ever done this before.
Neo: I know kung fu.
Lieutenant: I think we can handle one little girl. I sent two units, they're bringing her down now.
Morpheus: You have to let it all go, Neo. Fear, doubt, and disbelief. Free your mind. Choi: Hallelujah. You're my savior, man. My own personal Jesus Christ. Trinity: Dodge this. Soundtrack Review
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