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The bare-bones opening takes us on the road to horror. Siblings Trish (Gina Philips) and Darry (Justin Long) are taking the long route back from college, driving country roads and doing what brothers and sisters are wont to do. Namely, bicker, play stupid road games, and make up detailed rules on how to insult each other. I LOVED this. I was so excited that, barring some weird hick ritual, there was no way that these two leads would fall in love with each other; it left open so much more room to develop their characters in different ways. They're both very likable people, and thus we want them to live. The whole setup comes as they pass an old church where some wacked-out guy in a big hat is dumping covered bodies down a pipe. Not good. Big Hat gets in a souped-up truck, and proceeds to run the siblings off the road. Not gooder. The truck sort of reminded me of something out of the PlayStation game Twisted Metal Black, so naturally I expected a little more than just straight out ramming. Gimme missiles or long range artillery, thank you. Then there's always something unsettling and spooky about isolation in the country. Don't get me wrong, I love getting away from civilization, but the farther away you get, the fewer safety nets you have in place. You got your children of the corn, your texas chainsaw massacres, your blair witches, and sometimes those antique flea markets. And don't forget the Amish, your number one source of brutal buggy attacks. Jeepers Creepers is all very terrifying in the leap-out-and-hit-you-suddenly sort of way, but that's no excuse for Darry to become temporarily insane and drag them both back to verify the dead bodies. The movie convolutes the heck out of itself to justify why he does this, but other than a fleeting stab at heroism, it's nothing more than just another idiot digging his own grave. If it were me, there would have to be something mighty impressive, like a solid gold narwhale, to get me poking around the Drain Of Corpses. And while it's fun and scary and morbidly fascinating in many parts, I did eventually have to whip out the Big Shield, because the kids' decision impairment grows a mite bit faulty from then on, to put it nicely. Just when you think they're finally going away or getting help or doing something remotely smart, it just becomes some convoluted excuse to go RIGHT back to the killer and his house 'o horrors. Jeepers Creepers felt like an adaption of a Stephen King story. That is to say, it's different and would probably play out a whole lot scarier on paper than on screen. There's a psychic and unbelieving cops and even Cat Lady. I was reminded of Log Lady from Twin Peaks. People with that many cats ARE a horror movie in themselves. I like the simplicity and the effort to make a modern urban legend, but axe-weilding manaics just ain't as scary as they used to be.
I suppose I would be lying if I said this film was not scary at all. For example, the lousy pop music cover of "Jeepers Creepers" that plays on the radio in one scene is absolutely terrifying, especially if you've ever heard the Louis Armstrong version. ("Change the station! Find some Rolling Stones! Killers! Anything!") The scene of bodies nailed to walls and ceiling like, as one character puts it, "A psycho version of the Sistine Chapel" is fairly effective. The problem is that that scene occurs fairly early in the film, and nothing that comes after it comes anywhere near it in the freakiness category. It can't hold a candle to the horrifying segue the film makes from character-driven to script-driven. Take, for example, the frequent car failures that seem to occur exactly when our dynamic duo are about to escape from the Creeper, or the way Dary ends up in the Creeper's hideout to begin with, or the way he and Trish pause to have an argument in the besieged police station next to a plate of one-way glass.2 No one does things because those things are a logical extension of their personalities or situation, but because the script requires it. My favorite example of the way this film goes wrong is this: Trish and the psychic are in the police station, listening to the sound of gunfire as police try to kill the Creeper. The psychic, in response to some remark of Trish's, says "He's eaten too many hearts for his to ever stop beating." Let's line out the logic:
Evidence: He has eaten the hearts of many people, THEREFORE Conclusion: He cannot be killed. Not to say this movie is boring. Not at all. The director and scriptwriters have thrown in several interesting mini-mysteries for us to consider in between moments of gore. Mystery #1: The license plate on the Creeper's truck had me going for quite a while. How did he obtain a vanity plate in the first place? Did he go to a dealership? How did that work, exactly?
Clerk: You want a plate that says "Beating U?" Why? Creeper: [Impales clerk with ball-point pen.] Manager: Not again. Mystery #3: Why the Creeper was smoking cigars next to the flammable corpse preservatives4, because there is no other reason for him to burn down his own hideout. It can't be for secrecy, because afterwards he promptly troops down to the busy police station to mix it up with a number of law enforcement personnel. Yes, indeed, it's just one thing after another with this exciting motion picture event. The Creeper is the film's biggest weakness, which is a very bad thing considering he is the central focus of the entire picture. I mean, consider other unkillable horror baddies, such as Freddy Krueger. Freddy starts out as a child molester who dies. Fair enough. This doesn't necessarily explain why he then turns up as a malevolent supernatural force, but at least it's some sort of explanation for his behavior and motivation. The Creeper, on the other hand, presents no evidence that he even started out human, so we have no frame of reference for what he is supposed to be. If he's a demon, why does he need to do what he does? If he's some sort of periodical cicada from Hell, why 23 years and 23 days? Why that number anyway? Don't even get me started on the fact that, in order to whistle, you must be able to purse your lips. I'm guessing that's why he tends to do it facing away from us. En fin, this is a useless film. Watch the first fifteen or twenty minutes, then turn it off, because at that point you've seen all there is that's worth seeing. Trust me. You'll thank me later.
1 Considerably less so than he would be if he watched this movie, however.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
After the end scene, there was an extended ending cut out of the movie where it turns out that everything was just a story told by a person named Gary (also played by Justin Long) to his girlfriend, Lisa (also played by Gina Philips). She doesn't believe him and they leave the place that they were camping at so they don't miss the bus. But instead of getting on the bus, they hitchhike and get picked up by a green truck. Unfortunately, it turns out to be the Creeper's truck and as the scene fades out, Lisa turns on the radio where "Jeepers Creepers" is playing. Groovy Quotes
Darry: Is he dead? Trish: They never are. Trish: You know the part in horror movies when somebody does something really stupid, and everybody hates him for it? This is it.
Trish: Do you think they even have a phone?
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This review page was last updated on 8.18.06 MRFH Home . Reviews . Findaflik . Features! . MRFH Forum © 2006 Mutant Reviewers From Hell (Original Content). All Rights Reserved.
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