Summary Capsule





| reviews |
Justin's Rating: I have my atomic firebreath after eating Taco Bell's Chili Cheese Burritos!
Justin's Review: The complete irony of this American version is well-known by now. Hollywood, looking for any and all opportunities to cash in on the Next Big Thing involving Recycled Shows and Movies, bought the rights to remake the Japanese Godzilla franchise here in the U.S. Now, the Japanese Godzilla movies are nothing short of incredibly infamous for rampant destruction, rubber monster suits, bad dubbing and general cheesiness. If you love this style (and hey, who doesn't?), these movies can fill a quintessential void in our hearts; namely, being four years old and wanting to stomp on everything.
Yet this "reimagining" takes an awful turn as we see the results of decisions by committee. They try, hard, to give Godzilla logical science backing him (or her) up, but then shoot themselves in the collective foot multiple times over during the course of the film by not following their own line of reasoning. They hire big name actors (sorta) to fill in roles that amount to "Look up and point and yell something" characters. It's very clear they couldn't decide whether to play it straight - action, scifi, carnage - or drum up the camp, and the mix is positively mind-boggling in its failure. Worse of all, the plot seems dizzy and incoherant, like your father on Friday night (ba-dum). Hence why the film's slogan "Size Does Matter" was quickly parodied into numerous t-shirts spouting "Plot Does Matter".
Godzilla, cranky lizard that he (or she... doesn't this sound like that Life of Brian sketch?) is, is born from nuclear testing in the South Pacific. Naturally, he makes a beeline for (where else?) New York City:
Ferris Bueller is brought in as a consultant on his day off (ba-dum), as they manage to evacuate NYC in about three hours. Now, as we mentioned earlier, there are many inconsitancies about this film, but that's a pretty big pill they ask us to swallow in blindly accepting that millions of New Yorkers are really gonna bug out of down just because of a nuclear lizard. My guess is, they'd probably adopt the sucker instead. Sponsor him in the Macy's Thanksgiving Parade.
Naturally, because Godzilla is fluctuating between two and 40 stories tall, he disappears from the scene to give the humans their own interest stories. The audience applauds the insight of the movie studio that recognizes that the main need of anyone watching the film would be to see humans love, hate and fall in love instead of more gratuitous destruction from the 2-TO-40 STORY TALL MONSTER WE CAME TO SEE. Among other weirdness in this flick is the fact that the French are somehow involved (giving Jean Reno a part) and infiltrating NYC.
The movie, already floundering like a tanker run aground on a coral reef, is finally torpedoed by complete idiocy. Godzilla turns out to be a hermaphrodite (or something) and gives birth to hundreds of eggs in Madison Square Garden. Each of these eggs hosts leftover raptors from the Jurassic Park set, and our bumbling idiots, er heroes, are the only ones who find them in time to make one REALLY big omolette.
Both Japanese and American Godzilla films are movies you'll make fun of, hopefully with friends. The difference is, the Japanese movies are funny in their intentional goofy selves, while the American version is funny in just how spectacularly bad a big-budget disaster can be.
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![]() 1998 Rated PG-13 SciFi Monster Director
Starring
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Is It Worth Staying Through End Credits?
At the end we see an egg somewhere in New York hatching into a baby Godzilla, leaving an opening for a second movie. God forbid.
The Movie Store!
Intermission!
A tornado disrupted filming in Jersey City on May 6, 1997. The film crew managed to get some footage of the disaster filmed.
STATS: Enough lumber was used for the sets to build 50 homes. Over 1,000 4'x8'x16' Styrofoam blocks were used to build portions of the sets, including the subway tunnels. 35 tons of steel were used to build the sets. There was enough paint used on the film to paint the entire Golden Gate Bridge. 2.4 million gallons, or 32,000 cubic feet, of water was used to create rain for the film. Enough non-toxic smoke was created on the film to completely fill the Los Angeles Coliseum 24 hours a day for one week. There were a total of 16 different cabs used to create the entire cab sequence. 2,000 foam fish were made to create the fish pile. Over 1,000 soft architectural pieces were created for falling debris. 20 "car thumpers" wer built to lift cars on the street as Godzilla walked.
Official and Not-So-Official Websites
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Lucy: Caiman is dirt. To him, you're just a pair of breasts that talk.
Animal: Well, there's an image.
Dr. Niko Tatopoulus: This thing is much too big to be some lost dinosaur.
Colonel Hicks: We didn't accomplish anything.
Dr. Niko Tatopoulus: No, we fed him.
Sergeant O'Neal: We need bigger guns.
Audrey Timmonds: Wait, I don't get it... If he's the first of his kind, how can he be pregnant? Doesn't he need a mate?
Dr. Niko Tatopoulos: Not if he reproduces asexually.
Audrey Timmonds: Where's the fun in that?
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