Summary Capsule
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Our hero in The Condemned is Jack Conrad (Steve Austin), a last minute replacement in an illegal reality TV show where criminals with life sentences are dropped on a desert island and fight to the death in exchange for their freedom. But, unbeknownst to the producers (though knownst to us because every single one of these movies has the exact same plot), Jack is actually an undercover-Special-Forces-black-ops marine who is highly trained in stealth combat but was disowned by the US government upon his capture three years ago. So now he’s fighting for his life against an assortment of thieves, killers, rapists, Vinnie Joneses, ruffians, scallywags, and miscellaneous nogoodniks while attempting to bring the whole game down from the inside. As is probably best, Conrad speaks very little and spends a lot of time in cinematically convenient shadows. I have to assume the film was intending Stone Cold to be an Eastwood-style silent hero, but all of Austin’s charisma and energy absolutely evaporate onscreen and instead he just looks constipated and bored. Rick Hoffman does a good job as Goldman, the increasingly reluctant second-in-command of the program, and Robert Mammone is hateable enough as Ian Breckel, the brainchild and bankroller of the show. The rest of the cast, a generic assortment of criminals (husband + wife team, white supremacist guy, feisty black chick, Asian karate dude) and nerdball techies, are just varying degrees of passable. Of course, when the ‘movie’ part of an ‘action movie’ is failing, you can always fall back on the ‘action’ part, right? Right? The Condemned has its share of action, to be sure, but it’s so brutal, ugly, and mean that it barely qualifies as entertainment. The fights are poorly staged and poorly filmed in an attempt to come off as realistic, but instead just insures that nothing translates into anything that will get your adrenaline up and some of the violence — in particular, a rape scene of one of the women — is simply uncomfortable. As I mentioned, it’s done intentionally by the filmmakers to deliver a message about violence and reality TV (that, frankly, is about half a decade too late to be relevant or original), but it’s all obscured if not outright lost in murky filmmaking, subpar acting, and an execution that is just generally lousy. I wanted to like The Condemned, enough so that I almost saw it in the theater, but there’s really very little here to like. It goes through all the motions and hits all the beats of the same junk we’ve been watching in various forms since Battle of the Network Stars, but it’s really just an empty film. In fact, I called this movie unremarkable at the top of this review, but I think I’m going to retract that. I wish I could say it’s unremarkable. This is just bad.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
The movie had scenes shot in the Philippines, as evidenced by the dialog of the crew setting up the camera equipment before the "show" starts. One crew shouts "Aray!" (Ouch!) when one of the satellite dishes being set up sparks from a faulty connection. The crewmen also answer "Opo" (Yes) after being scolded by the head technician. Groovy Quotes
Security Guy: It’s a very simple game: Kill or die.
Breckel: What do you do for a living, Jack?
Breckel [about Conrad]: With anti-American sentiment rampant all over the globe, people are gonna love to hate this cowboy!
Breckel: We’re at war here, Goldy! Improvise! Overcome! Adapt!
Technician: McStarley’s back! This is gonna be gnarly!
Conrad: Sounds like you had a hard life.
DVD Review
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