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Before I even contemplate marching headlong into the hilarious "plot" for Catwoman, let me describe to you my experience watching it at a movie theatre, which will hopefully give you an idea of just how bad a film this is. I went to see Catwoman at our local multiplex the night after opening night in the UK, at 7pm on a Saturday evening, usually primetime for the cinema viewing population. As it was a big new release, it was shown on one of the Multiplexes large (as opposed to merely medium size) capacity screens. When I got in with my drink and popcorn, there were precisely 11 other people in the entire theatre. No-one else came in. 30 minutes into the film, the first couple left. 15 minutes later, and the second couple leave, leaving precisely 8 people in a 400+ seat movie theatre. Shortly after, I begin to chuckle uncontrollably. I didn’t stop till the film ended. In fact, I didn’t stop all the way through the cinema foyer and back to my car. That’s quite how bad Catwoman is. It’s almost impossible to pin down exactly why Catwoman is such a bad film. It's not because it’s hard to spot the flaws, but because there are so damn many of them you just can’t blame any one thing. To begin with, I think there might have been a mix-up at the place where they collate the scripts, and Catwoman ended up with half a dozen scenes from Waiting to Exhale and She’s All That in it. I mean, seriously, for an alleged "superhero" film, Catwoman sure does spend a lot of time transforming herself from a klutzy shy artist to a Fully Independent Woman™ complete with hot cop boyfriend and obligatory sassy R&B soundtrack. Secondly, as far as heroism is concerned, Catwoman isn’t exactly being pushed to her limits in this film. I mean, while Spider-Man is defeating crazy super scientist Normal Osbourne, and the X-Men are saving the world against Magneto, Catwoman’s heroic accomplishments in this film include stopping the music at a loud party, rescuing a child from a broken Ferris Wheel, and ultimately facing her nemesis — a 40-year-old model who’s addicted to face-cream. That’s a real tall order right there for a woman who can run up walls, leap like Spider-Man, and can bust out her Catwoman Kung Fu Action on demand. On top of that, the overarching plot is like the stuff of crack-induced Hollywood hallucinations. The Hedare Company, international salon extraordinaire, are about to market their new beauty product, Beauline, the face cream that actually reverses the effects of aging. However, what they’re not telling you is that if you stop using it your face melts, it’s addictive, it gives you headaches and fainting fits and to top it all off, after protracted use it turns your skin into supertough marble-type skin. Nice catch there by the Quality Control people. However, crazed model and part-owner of Hedare, Laurel Hedare (Sharon Stone) is determine to release it, despite it being about as safe as smearing arsenic on your face, and when ditzy advertising artist for the company Patience Price (Halle Berry) finds out that Beauline isn’t all it’s cracked up to be, Laurel has her killed by flushing her down a giant toilet to her doom, only for her to be brought back to life by a magical cat as Catwoman. No, that’s really what happens. Stop laughing. I could go on and on and on. The dialogue is hilariously bad, featuring horribly clichéd one-liners, the obligatory gloating villain speech, the misunderstood hero’s impassioned plea, and so on. There’s the inevitable "I’ve just got superpowers so I best run from rooftop to rooftop to show off all this great CGI we’ve spent money on." Like all superhero movies, this one takes half the film just to get the characters origin story out of the way — I mean come on guys, we came to see "Catwoman" not "Halle Berry is — The Shy But Talented Artist!" Every character in the film apart from Catwoman and her studly Cop Hunk are completely 2-D, the "grand conspiracy" is about as threatening to the population of the world as Spongebob Squarepants and every scene either seems completely pointless or hopelessly rushed. The final nail in Catwoman’s coffin is that someone already made nearly the exact same film (except better and more interesting) ten years ago, another comic book adaptation in which the protagonist is killed, returned to life by an animal, loses their memory but gains superpowers, and proceeds to extract their revenge on the people who killed them. It’s called The Crow, and it’s infinitely superior to Catwoman in every way imaginable. In spite of all this, am I telling you to avoid Catwoman like a plague infested corpse? Not a bit of it. Go see it. Go see it twice. As many times as you can, in fact. Because, as you stare in horror at the screen, there’s a certain feeling of euphoria that hits you. It somehow pushes through the "I can’t believe how bad this film is" barrier into the oft-uncharted realms of Unintentional Comedy, and if you’re anything like me, it might even be the funniest film you see all year.
Anyway, as I sat through Catwoman - and it took me three tries and the eventual application of five-point restraints to do it - something occurred to me. Oh, not that this movie stinks even more than my son's laundry hamper. I already knew that. No, what came to my mind was a simple and tragic epiphany. This is not Patience Price's fault. Okay, bear with me here and tell me you disagree if you dare. Bruce Wayne had Alfred, a wise sage of a butler who could guide him through issues of morality and justice. Clark Kent had Jor-El's entire video collection of interstellar historical documentaries and an interactive tutorial system complete with ice palace. (I used to have a Speak 'n Spell. Same idea really.) Peter Parker had the ever present tea, cookies and occasional toe-the-line whipcrackings from sweet Aunt May. Patience got some weird old bag who stuck a catnip toy in her face and lectured her about empowerment. Boy, that didn't give her much to work with, did it? As far as the movie goes, I mean, what can be said? I'd like to find some redeemable quality here, but... what am I supposed to say? The sewage strewn beach looked real enough to make Al Gore twitch all over? Benjamin Bratt has lovely teeth? I like basketball too? That's about all I've got. I'm a dog person. I mean, by far the most beautifully ironic part of Catwoman was the scene where the scientist (Peter Wingfield playing Dr. Ivan Slavicky - the name of several apparent pronunciations,) said, "I don't care that the FDA never saw the headaches and the nausea, the-the fainting spells! Those are symptoms I can live with!" From the producers' mouths to the consumers' ears, my friends. Although I didn't actually faint. I wouldn't have minded fainting. On the other hand, I've always thought that I've become a better writer of fiction over the years because I have read absolute metric tons of literary garbage. Maybe, someday, I'll discover that I'm a better movie reviewer because I went through this? Well, probably not really, but so far that rationalization is keeping "the voices" away. Greyhounds make excellent pets.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
43 cats were trained for the film. Halle Berry adopted one of them afterwards, an Orange and White youngster named Play Dough. The monologue delivered by Berry in the preview is taken from the movie The Crow with minor editing to fit the movie (e.g. "crow" to "cat") The movie had to undergo re-shoots after testing poorly with screeners, with only a month left before the theatrical release date. A rough cut of the trailer was put online a few months before the film's release, and drew such heavy criticism that it was quickly pulled. It was soon replaced with a new trailer which didn't feature any dialogue. Groovy Quotes
Catwoman: It's overtime!
[repeated line]
Catwoman: White Russian, no ice, no vodka... hold the Kahlua. Catwoman: [to thieves] Amateurs! You're just going to come in here and steal all these nice things? What a purrrfect idea! Armando: Man-sandwich! Four o'clock!
[as he's scratched and interrogated by Catwoman]
Laurel Hedare: If you have no identity, why keep it a secret?
Laurel: Can I offer you something? Can of tuna? Saucer of milk? Smoking gun? Patience (in jail cell, to cat): Y'know, Lassie would have brought me a key. Soundtrack Review
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