Summary Capsule
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So, Shrek and Fiona have had two happily-ever-afters; one where they got married, and one where her parents accepted him as a son-in-law. Now, the obvious next step is babies. Well, I suppose it's one of the obvious next steps. The other obvious next step is to kill off the king and put someone in his place (because apparently the queen ruling isn't an option?). And since the only daughter is the staple of fantasy, Fiona (and therefore Shrek) is next in line. And both thoughts - being a father and being king - scare Shrek to the very core of his being. Let's face it, both are very reasonable things to be afraid of. Shrek has lived alone most of his life, and when he did marry, he picked a woman who took out Robin Hood and his Merry Men without breaking a sweat. Fiona isn't exactly the wilting flower dependent type of princess, here. So suddenly having people dependant on him, and having his decisions affect lives… yeah. Very, very scary. But the two plotlines were almost like separate stories that didn't seem to intersect much. Of course, Shrek dealing with not wanting to be king is very easy to work with, especially when he decides to go out and find Arthur, the only other heir. Shrek dealing with being a father, though, is a much more introspective journey, most of which happens in Shrek's mind. Needless to say, I think that the "get a new king" plotline fares better than the "get kids" one, at least from Shrek's perspective. The quest for a king yields two new characters: Artie, the twerpy little upstart who becomes king, and Merlin, a retired schoolteacher with a hippy outlook and approach to life. Merlin is a lot of fun, which isn't a huge surprise given that he's voiced by Eric Idle. Artie is a bit of a geek, which can be alternately annoying and funny, depending on the moment. However, I do have to admit that he was a little too cute to be a believable complete outcast, to the extent where the D&D nerds would pick on him. But he's voiced by Justin Timberlake, and although it galls me to say it, I've got to give the guy props at the continued evidence he doesn't always take himself too seriously. Anyway, the quest plotline has its high points, and then it has its preachy moral section, which is really kind of lame. The babies plotline… well, Shrek doesn't much figure into it, even though he's the titular character and the father. I mean, most of his acceptance sort of goes on in his head. Which makes sense, because how else would it happen, but also makes for kind of dull watching. Fortunately, we have Fiona. Skipping over too many gags about belly size, morning sickness, and deliveries, the writers went straight to the Baby Shower. This was most definitely a good choice, because the baby shower was easily one of the funniest parts of the movie. Baby showers are fraught with their own sort of peril anyway, and it's scarier than braving the quest for a king. Tying these two plotlines together is Charming, who definitely runs off with the show. Charming has decided that villains deserve happily ever after endings too, and invades the kingdom. Yay! But really, you know what this all reminds me of? Sometimes, when I'm writing a story, I'll write the scenes as they occur to me instead of writing in a linear fashion. This has its advantages, but sometimes when I put them together they don't fit quite right. Not in terms of plot, but in terms of feel or style or pacing or repeating something I've already said or leaving something out. It makes the story feel very patchwork, and that's the same feeling I got from Shrek 3. Very patchwork. Shrek 3 was one of the Big Three Threequels (ew - I hate that word) of Summer 2007 that was supposed to make its makers filthy rich. I suppose it did that, although it disappointed at the same time. Sadly, I can see why. It's still good, but the overaching theme isn't the quest for a king or the quest for daddy-dom, but the quest for more money. And it shows.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Groovy Quotes
Pinocchio: Uh. Hmm, well, uh, I don't know where he's not. Prince Charming: You're telling me you don't know where Shrek is? Pinocchio: It wouldn't be inaccurate to assume that I couldn't exactly not say that it is or isn't almost partially incorrect. Prince Charming: So you do know where he is! Pinocchio: On the contrary. I'm possibly more or less not definitely rejecting the idea that in no way with any amount of uncertainty that I undeniably Prince Charming: Stop it! Pinocchio: ...do or do not know where he shouldn't probably be, if that indeed wasn't where he isn't. Even if he wasn't at where I knew he was. That'd mean I'd really have to know where he wasn't. Artie: Somebody help! I've been kidnapped by a monster who's trying to relate to me! Snow White: Rapunzel, Rapunzel. Let down your golden extension.
Cinderella: I don't get it.
Gwen: Ahem. This is like totally embarrassing, but my friend Tiffany thinkest thou vex her so soothly and she thought perchance thou would want to ask her to the homecoming dance or something.
Artie: If there's something you want to do, or someone you really want to be, then the only one standing in your way... is you.
Student: Dude, don't burn all my Frankincense and Myrrh.
Shrek: All right, don't overdo it.
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