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What Rocky IS is an update of the classic Horatio Alger "rags to riches" tale of the everyman who makes good, pulling himself up by his yadda yadda yadda. Nothing at all new, but the success of the movie lies in the execution, not innovation. I'll be the first to say that Stallone is not known as one of this generation's greatest writers or actors, but in this film at least, both his screenplay and his performance ring true. I'm not sure Rocky's the kind of guy I'd want to spend a lot of time with in real life, but I completely buy Stallone in the role. Actually, the same is true of every character — Adrian, Paulie, and Mickey would all drive me nuts, but it's a testament to the actors that they make them so real. Burgess Meredith in particular is outstanding as crotchety manager Mickey, and everything about the film's scenery really drives home what depressed, jobless South Philly must have been like in the late 70s. When we watched Rocky together, my wife thought it was stupid that (spoilers ho) Rocky doesn't win. What I tried to explain is that he wasn't out to win… he says it himself, he knows he can't beat Creed. (Until the sequel, but let's not go there.) All he wants is to prove he's not a loser, that he can go the distance and last 15 rounds with the world champion. That speaks volumes to me as a swimmer, because in any timed sport your main opponent is yourself — you may want to beat the guy next to you, but you're really racing the clock. I never placed first at national championships in anything, but in the last race of my career I beat my best time by 10 seconds and broke a school record in the process; I promise you, I couldn't have been any happier if I'd won. In my mind, the same is true of Rocky — in the end he's gotten his girl and proved to himself that he can compete with the best… whether he won the physical match or not is incidental. I'm not going to claim to you that Rocky is a perfect movie. There are things I didn't quite get (he just… yells his anger at Mickey out, then they're friends?), and while I know the scene in Rocky's apartment with he and Adrian is supposed to seem heated and romantic, it's the most uncomfortable love scene ever. But it's worth making an effort to get past any minor stylistic elements you might not enjoy, because at its core, Rocky truly is a great movie, and no one can take that away from it. It's not necessarily one you want to watch every day, but if you've never given this movie a chance, you owe it at least one shot at the title bout.
This is the kind of movie I normally would not watch. I tend to eschew sports movies in general, because the number of attractive males on display doesn't make up for the horribly clichéd plots plus large number of musical montages.4 The only other boxing movies I've really tried are Ali, which was okay, if occasionally dull, and Raging Bull, of which I couldn't sit through more than twenty minutes. I think the reason I even bothered watching this was because it was such a cultural icon. I'd heard jokes about Rocky and seen parodies of Rocky and even seen a Nestea commercial involving a claymation version of the title character, and I was curious to see what had inspired a boxing movie made in the 70's to endure for thirty-odd years. And now I know. Because Rocky is a very, very good story. This is not a gedankenexperiment. This is not a "Hey, Oscar over here!" movie about crushing existential despair or how hard it is to be middle-aged and rich in America or redemption through being shot to death. This is a movie about a guy and a girl and a dream, not necessarily in that order. Normally such a description would cause me to sneer so hard I would develop a cramp in my upper limp, then go watch something about people being eaten by a giant spider, but with Rocky it's the unvarnished truth. I'm not going to tell you the plot and so on because I'm going to assume you got that from Justin's review. It doesn't have quite the ending you'd expect, but it's not one you're going to be sorry you watched, either. Trust me on this. I hate pathetically sad movies. This isn't one. I also hate sappy romances. This isn't one of those, either. That particular aspect and how it's handled is one of my favorite things about it. The only thing you really need to know from this review is that you should watch this movie. Even if you never see any of the sequels or buy the commemorative Sylvester Stallone collector's plate or whatever, even if you can't stand a single other movie Stallone is in, you should see this one.
1. Brightly colored blocks and a yellow Tonka dump truck were also significant themes during this period of time.
Part of the reason for this oversight is that sports movies never registered very big on my radar while growing up. Despite being prone to anti-football rants during Superbowl week, I actually do enjoy many sports-themed films (it's a miracle how editing and kung-fu can make a three hour soccer match seem interesting). I just don't go out of my way to find them. Therefore, my Italian heritage calls to me, and the appeal of one of the most famous "long" movie series that is MRFH virgin territory beckons to my very soul. So here we go. Based on a script peddled by a relatively unknown mumbly hulk who wrote it in a mere matter of days, Hollywood took a shot and made Rocky for pennies. Well, about 100 million pennies, but still, that's a lot less copper than Armageddon. Sylvester Stallone insisted that as part of the sale, he be allowed to star in his own story. It was low budget, unassuming, and — above all — a complete cliché. An underdog boxing movie. Yawn. And then it made well over $100 million (which was a huge amount in the 70's and not half bad today), and beat out Taxi Driver and Network to win three Academy Awards, including Best Picture. It's since been called one of the most inspiring movies of all time, and certain elements of this cliché flick have inspired their own clichés in pop culture. But since we're over 30 years distant from this movie, a lot of those things cease to impress any longer. As always, we're just left with the movie, for better or for worse (stupid comic strip, I hate you). Rocky is best described as a movie where a character who is suffering from severe brain damage throws himself into a sport where the potential for even greater damage is present. The movie lives and dies on the thespian acting talents of Stallone, whose trademark blank face and growly monotone belay the chummy, sincere guy that he's trying to play. Rocky Balboa is a bit of a boxer and a bit of a street hood, although he's the "nice" variety. Everyone in Philly seems to like him, including the overly shy Adrian, who works in a pet store and wears the most hideous old lady glasses known to mankind. One day, Rocky gets his "shot" (I accidentally typed an "i" instead of an "o" there, which, I think you'd agree, would've changed this whole sentence) at glory when the heavyweight champion of the world, Apollo Creed (Carl Weathers) decides to fight a local boy as part of a publicity stunt. What surprised me is that Rocky is no more a movie about boxing than Karate Kid is about karate. Both were directed by John G. Avildsen, and feature a big fight at the end by an underdog nobody expects to win. Also, training montages. Gotta love those! Rocky spends most of its running time developing the titular character, showing his stale life and his struggle to reach something above and beyond that. It also has a touching little romance that grows to overshadow the boxing match (there's a reason why this movie is best-known for its "Yo, Adrian!" quote). The final boxing match itself is swift but effective — you will be mesmerized by the two tanks trading blows and beating each other up into man putty. I like how Creed takes Rocky as a joke at first, until Rocky delivers a first round punch that turns things serious in a heartbeat. Still, I'd classify Rocky as more "quaint and charming" than "awesome and spectacular". The 70's backdrop is overly drab, and Stallone's acting is simply outpaced by the demands of the story. Yet for some reason, America fell in love with big muscled men who couldn't talk so hot, so much so that by the 80's, they were our heroes. Yo.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Sylvester Stallone's brother is one of the singers in Rocky's neighborhood, and his father rings the opening bell in the Balboa/Creed fight. Marie, the young girl he advises to gain some self-respect, was originally slated to appear in Rocky V as exactly what Rocky said she'd turn into — a prostitute. The scene was cut, but apparently she shows up in Rocky Balboa. Stallone's acting debut, an *ahem* adult film called "Weekend at Kitty and Stud's," was re-released after Rocky hit it big under the title "The Italian Stallion." The film was shot in 28 days. One of the posters for the film featured a shot of Rocky and Adrian holding hands. Although this was one of the most popular images associated with the film, the scene this image was taken from was cut from the film. Sylvester Stallone insisted that the scene where he admits his fears and doubts to Adrian the night before the fight be filmed, even though production was running far behind and producers wanted to skip it. He had one take for that scene, and was so nervous about screwing up the only scene he thought was important that he got himself drunk to do it. The scene that involved Rocky and Adrian kissing in Rocky's kitchen was originally not scripted the way it was shot. Talia Shire had contracted the flu and was worried about getting Stallone sick, so she was very hesitant to kiss him. Her hesitation and behavior was actually such an improvement over the scripted scene that they decided to keep it. Was the first major motion picture to employ the use of the Steadicam, having been invented by Garrett Brown. Groovy Quotes
Mickey: Women weaken legs! Mickey: You're gonna eat lightnin' and you're gonna crap thunder! Apollo Creed: Stay in school and use your brain. Be a doctor, be a lawyer, carry a leather briefcase. Forget about sports as a profession. Sports make ya grunt and smell. See, be a thinker, not a stinker.
Adrian: Why do you wanna fight?
Rocky: Yo, Adrian!
Rocky: I can't do it.
Rocky: 'Cause all I wanna do is go the distance. Nobody's ever gone the distance with Creed, and if I can go that distance, you see, and that bell rings and I'm still standin', I'm gonna know for the first time in my life, see, that I weren't just another bum from the neighborhood. Apollo Creed: Apollo Creed vs. the Italian Stallion. Sounds like a damn monster movie. Rocky: I think we make a real sharp couple of coconuts - I'm dumb, you're shy, whaddaya think, huh? Rocky: Cut me, Mick. Soundtrack Review
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